Photography
Stills for brands, menus, interiors, and people, shot to hold up printed as well as on a phone screen.
A production house and creative content strategy partner out of Nairobi. Stills and motion for brands, documentary work, campaigns, and monthly social content, planned, shot, and finished by the same hands.
Most jobs get split across a photographer, an editor, and a colourist who never met. We do all six in-house, so nothing gets lost in the handover.
We work as a team, but every project has one creative lead. Mike directs production on all of it, so you brief once, and the person on the call is on set, and again in the grade.
Stills for brands, menus, interiors, and people, shot to hold up printed as well as on a phone screen.
Brand films, commercials, and campaign pieces. We light it, we shoot it, and we run our own kit.
Longer-form work about real people and places, the kind that needs patience and a second day of shooting.
Concept, shot list, crew, and running the day. For when you have the idea but not the plan to make it.
The edit and the grade, both in-house. Nothing gets handed to someone who wasn't on set.
Monthly reels and stills for brands that post consistently. Cut for the feed without looking cheap.
We don't hand the footage off to a stranger. The people who plan the shoot are the ones lighting it, shooting it, cutting it, and grading it, which is why what you pictured and what you get back tend to match. A documentary needs a different pace than a launch reel, and we shoot each one like we know the difference.
These four come up most often, so we already know the shot list, the light, and how long the day actually takes.
Work outside them still lands well: documentaries, brand films, one-off campaigns. The sectors are a starting point, not a limit.
Hotels, lodges, and short-let listings. Content that gets someone to book before they've seen the room in person.
Dealership floors, rental fleets, private collections. Slow pans, clean light, no gimmicks.
A month of content shot in a single day: every dish on the menu, plated and lit properly.
Studio or on-location, with models from our own roster if you need them, no scrambling to book talent.
Six of the first seven brands in the portfolio kept us on after the first month. That's the part worth reading. Plenty of our work doesn't fit a category either: documentaries, brand films, and one-off campaigns. If yours is one of those, it's still worth a conversation.
A few stills pulled from recent retainer work: hospitality interiors, lifestyle, and food, all shot and edited in-house.
The full portfolio breaks these out client by client, with the motion work playing in place.



A message is enough to start. You don't need a brief, a budget, or a date yet.