Hospitality & Airbnb
Hotels, lodges, and short-let properties selling a stay, not just a room.
Some projects are a single film with a long edit behind it. Others are a steady month of stills and reels. We take both, and either way, the shooting, editing, and grading happen under the same roof.
Most projects use two or three of these together: a shoot plus the grade, or a film plus the stills that come off the same day. Whatever the mix, Mike heads production on it as lead creative director.
You can also bring us in for just one. Footage shot elsewhere that needs colour is a job we take on its own.
Stills that work as hard in a print menu as they do in a grid post.
Brand films, commercials, and campaign pieces, lit and shot on our own kit.
Longer-form work about real people and places, where the story shows up on day two.
For when the idea exists but the plan to shoot it doesn't.
The edit and the grade, done by the people who were on set.
The steady monthly work: reels and stills for brands that have to post whether or not there's a campaign on.
We already know the shot list, the light, and how long the day runs for these four, so the quote lands closer to reality.
Outside them we still shoot documentaries, brand films, and one-off campaigns. Ask anyway.
Hotels, lodges, and short-let properties selling a stay, not just a room.
Walkarounds, interior detail, and dealership floors, shot to match the price tag.
Full venue coverage plus every dish on the menu, usually wrapped in one bulk day.
Studio or on-location campaigns, with models from our own roster if you need them.
Plenty of our work sits outside these: documentaries, brand films, and one-off campaigns. Those get quoted per project rather than per sector.

Films, documentaries, and campaigns with a defined start and end. Scoped and quoted around the idea, not a day count.
A fixed monthly scope. Stills and reels on a set schedule, and you jump the queue when something urgent comes up.
One day of coverage. Good for a single event, a small campaign, or trying us out before committing to more.
Rates depend on the scope: how many shoot days, how long the edit runs, and where the work ends up. Get in touch or book a call and we'll send a rate card built around it.
Organic social use is included in every rate. Want to run something as a paid ad, in print, or on a billboard? That's licensed separately, priced by where it runs and for how long.
The one big polished piece for a campaign: the brand film, the launch video, the documentary cut. Priced on its own, separate from a retainer or day rate.
If you use one of our models, that's quoted separately. It's not folded into the shoot fee.
We don't hand over raw footage by default. We'd rather control what goes out under your name. It's available as an add-on if you need it.